That meant I was prepared to pick up a tennis racket and ball to play with another boy if he felt like a game even though I'm not good at it rather than getting into funk or screaming to anyone who would listen.
When I was younger how you listened, the cultivation of a time to listen intently to it, appreciating took hold not that I didn't have music on as a 'background' but I'd find time to do just that and maybe a quiet room to sit in too.
Also I was interested in how that sound was reproduced caring that although I may of been ten years old, I was getting the best I could get from my recordings be they tapes or as was common then stereo records.
As I got more into my teens money permitting I bought magazines about what they called "High Fidelity" which when remove a lot of technical terms and snobbery from it is really more about getting the best sound and they had articles about improving what you heard as well as reviews of equipment.
Around the same time I got from grown up friends handed down equipment that while good wasn't as good as what they could now afford was better than what I had so at one point I had a tubed Rogers Cadet II amplifier with it's control unit, a Panasonic stereo cassette deck for recording and playing cassette tapes on , a Goldring turntable and cartridge and a pair of hand made speakers using units originally fitted to Rolls Royce upmarket cars!
Today I own an all Rotel stereo separate system and a Sony MiniDisc recorder with a portable player for listening while away or on the move.













